After 19 years of wedded bliss, Valentine’s Day is not what it used to be. Come to think of it, I’m not sure it ever was what it used to be. I’ve missed the last three (there is a God) but this year – for the same reason – I got off a red-eye from Los Angeles mid-afternoon on the 14th. Club Class  (“because I’m worth it”) notwithstanding, a shag was going to be, as they say, out of the question.

Nonetheless, I still had the strength in me to open a bottle or two. For fizz, and with an eye to ameliorating a fraction of the cost of that ticket, I plumped for stylish Pongrácz Rosé from South Africa. The design of the bottle alone is worth the money but the seductive strawberry fruit makes you wonder if it’s worth paying three times the price to have the word “Champagne” on the label.

For even less, it should be noted that Australian sparkler Griffith Park, which won a blind tasting by Which? magazine a couple of years ago against some, er, stiff opposition is still upstanding and setting a bench-mark for bargain fizz.

I wasn’t up to much in the way of dinner so had a couple of puddings instead. I surprised my soulmate (and, believe me, after 19 years you have to work on the surprises) with an English sticky. Yes, an English sticky – from Chapel Down, a delicate, late harvest number by the name of Nectar, made from a mix of unpronounceable German grapes and weighing in at a feather-light 8% abv. It’s the first English sticky I’ve liked and I’d drink it with the usual suspects or on its own but – in either case – with pleasure.

It is the diametric opposite of Harvey’s PX – the other pudding choice – and who would ever guess that they were made from the same basic stuff? This is a treacle-rich toffee-fest and it’s double the abv but deep within in it there’s still a streak of the same limey acidity that they share in their DNA and which makes sense of it all. Who knows – another glass and anything could have happened.

I arrived here an agnostic but now I am saved. Pasty-faced and larded with doubt I had no idea which was the true path but now I am the keeper of the knowledge. The only way is – no, not by Essex – but to head west down Pasadena’s East Colorado Boulevard to Barney’s for some Lagunitas IPA: then to double back making a right down South Raymond to Lucky Baldwins for the big stuff; then an optional left (but you’ll be passing anyway so it would be rude not to) up Green back to the Dog Haus for some cleansing, hop-crackle-away Iron Fist Kolsch. And before you’ll know it, or maybe afterwards – I’m hazy on the details – you’re back at the Sheraton for last orders. Easy-peasy, lemon-squeezy.

At Lucky Baldwin’s – and just what Baldwin did in another life to get this lucky can only be guessed at – the beers were consulted and cajoled upon, and then served forth, by – embarassing though this may be – what can only be realistically described as some sort of household goddess. And one that I now know and praise as being of an emergent pantheon of craft-brew beeresses that Zappa would have written not just three words but whole albums about. Sarah wouldn’t even have been born, or thought of, when Dylan wrote his hymn to her so there’s another glorious mystery, but now she is here below amongst us.

I don’t remember the names of the beers with which she bathed my sins away (mere trivia, but hops do have an antiseptic quality – *yawn*) so I may have to slink back later on to retrieve a list as mine was sodden to pulp by the time we left. But this I know: Frank was right. The way, the life and the truth – it’s all here – just give the boys “titties and beer”.

 

It’s an ill wind alright. The demise of the high-street chains in the ‘noughties saw a profoundly encouraging spate of start-ups of small, independent wine merchants devoting themselves to purveying carefully-selected, high-quality wines across (almost) the whole price range. More encouraging still is that a number of them are cautiously expanding. Most deliver nationwide but if you’re fortunate to have one nearby it adds something special if you can walk in and have a nice chat and, often, a nice glass of wine as well – some of them seem to be in permanent tasting mode, with a few bottles open all the time. No names, no pack drill – it’s a hard life for some of these chaps (eh, Marc?).

Some have the Enomatic storage and dispensing systems which allow them to offer customers (and casuals) the chance try before they buy and, better yet, to taste high-end wines in small doses without the wine deteriorating (or breaking the bank). Basically, you put some credit on a card they give which you use to pay for a small (but not necessarily tiny – they come in different measures) glass of a few (or all) of the dozen or so wines they have “on taste” as they say in the States. Others have a corkscrew and some glasses. And maybe a fridge.

(Selfridges pioneered Enomatic in the UK, only to find that silly Westminster Council refused – and persisted in refusing until quite recently – to countenance the sale of wine in “non-standard” measures like 5cl. It shows just the sort of flexibilty and forward-thinking that we’ve come to expect from our dynamic local government people, doesn’t it?)

When I was writing my book, I would have been lucky to find more than a handful of the 3500-odd recommended wine producers in it in my patch of north London. But three excellent places have opened up in Stokie in the past 18 months and I recently did a piece for the (equally excellent) local mag – N16 Magazine – to see how many I could find now.  I stopped counting at 100. None of the new places are solely dedicated to booze, which may be one of the ways forward – Le Parc and MeatN16 also sell food and Homa is a restaurant with a side-line in off-sales.

Elsewhere in London, among my favourite local heroes are (in no particular order) Planet of the Grapes, Vinoteca, Highbury Vintners, The Bottle Apostle and The Sampler. Longer-established Jeroboams, Roberson and Philglass & Swiggot also deserve the same plaudits. Out in the sticks, The Secret Cellar (Tunbridge Wells, Wadhurst and Oxted), The Butler’s Wine Cellar, Quaff, Ten Green Bottles  (all in Brighton), Cooden Cellars (have a guess), South Downs Cellars (Hurstpierpoint and Lindhurst), Fareham Cellars (is “eponymous” correct in this context), Noel Young (Cambridge), Symposium, (Lewes), Wine Therapy (Cowes) and Corks Out (Warrington) deserve particular praise – and there are many more. Let me know if you have one that I should know about. There’s no point in recommending individual wines because all these fine folk only sell good wine, which is rather refreshing. The Association of Direct Wine Merchants brings together some up-and-coming and decidedly individualistic folk too so, with just a minimum of effort you really never need open a dull bottle again.

The supermarkets and multiples (or what’s left of them) all sell some potable wine but making friends with a well-established, enthusiastic wine merchant who can advise, cajole, celebrate and comiserate is a natural progression and I’m always banging on about it. Most people buy a couple of bottles at a time and the step of buying that first whole case seems to be a big one (and does require a little organisation – carrying a 12-bottle case more than a few yards is something to avoid).

Some of the advantages of buying wine by the mixed case are:

that they do all the work of weeding out the dull stuff – their reputations rest on the quality of the wines they choose and as a result, they get more interesting wines, often from small, individual producers who care about what they’re making;

that many sell pre-selected mixed cases at many price-levels so you don’t have to know anything about wine to make a start; that they sell wine at (nearly) all price levels and for mid-range wines they can be cheaper than the supermarkets and multiples;

that there really isn’t much snobbery involved unless you want there to be;

that you don’t have to schlep the stuff about. Having a case on hand gives you the luxury of choice – “Sweetie, do you think this Chilean Merlot or the Lalande de Pomerol would go better with these bangers?”

The objection that you have to shell out for 12 bottles at a time doesn’t hold water since that money was going to be spent on wine sooner or later anyway. The proof of the pudding is that:

nobody who ever started buying by the case from good merchants ever stopped without a good reason (which, basically, means penury, liver disease or death – and only the last of these is good enough).

As confidence increases you can begin to have the fun of scouting their lists – they make mistakes and mistakes are better than discounts and “sales” where there is often a good reason for cutting the price – good for them, that is.

I learned much of whatever I know about wine from bottles bought from the top merchants who comprise the loose alliance called The Bunch, i.e. Tanners of Shrewsbury, Berry Brothers & Rudd, Adnams of Southwold, Yapp Brothers, Corney and Barrow and newbies Lea and Sandeman. They’re all good but – with so much dynamic new competition – none can rest on their laurels: while one has newly established itself as the best of the bunch, one has become rather expensive, another has been rather distracted by other projects, one is a bit stuck in the mud and another is quite uneven quality-wise.

Until as recently as the ’70s wine merchants imported wine in cask and bottled it themselves and the tradition lives on in the form of merchants’ “house” wines, although thankfully they are all bottled at source these days. They’re a big part of their business, their “calling cards” almost, and they usually offer exceptional value. There’s some cachet in having the name of an illustrious wine merchant on the label I suppose but it’s what’s in the bottle that really counts and the wines are often made by leading producers and châteaux. Some of the old guard of merchants like Berry’s and Justerini & Brooks (now Diageo-owned since they bought the J&B whisky brand) have relationships with individual châteaux that go back into the 18th century.

Some ranges runs to as many as 60 bottles – including Ports, sherries and Madeira – and the name of a top merchant on the bottle is about as close as wine gets to coming with a guarantee – it’s the consumer-end version of the handshakes on which, refreshingly, a lot of the wine trade is still run. Some people object in principle to the fact that the “everyday” merchants’ wines are often non-vintage – i.e. a blend of wines from different vintages – but that’s the tradition and, in practice, when they actually taste these fruits of the blenders’ art the objections are seldom sustained.

 

High Street UK is not a good place to buy wine and it hasn’t been for a long time.  As far as offies are concerned, the tumbleweed proliferated a couple of years ago with the collapse  of First Quench – not surprising, really, with a name like that – the company that owned the 1,200 Threshers, Wine Rack, The Local and Haddows shops. It could be fairly said that they discounted themselves to death. The wines generally weren’t up to much anyway so on the whole it was good riddance.

It hardly seems possible that a whole generation can have graduated with an NVQ in binge-drinking and been rewarded with its first Asbo without ever knowing why old people have such a soft spot for Oddbins. The company went tits-up last year after a brief period in the hands of the son of the man who started it, after having been bought and sold a few times, lastly by French giant Castel, the biggest wine company in Europe (and owners of the useful Nicolas chain). In the ‘eighties Oddbins awakened millions of Brits to the fact that wine could actually taste nice and it’s encouraging that the residual 39 branches (under still newer ownership) show signs of doing what the original company did best. It’s early days but, at the risk of sounding like a dickhead, the fact that they are stocking wines from a decent number of the smaller, quality-conscious producers recommended in my book (like Viu Manent, Henry Fessy, Redfin, Tedeschi, Caves de Hunawihr, San Marzano, Setencostas and McHenry Hohnen) bodes well.

In similar vein, the remaining 20 or so Wine Rack shops in and around London, again under new ownership, seem to be far more focussed on quality than in their previous incarnation. With wines from the likes of De Bortoli, Simmonet-Febvre, Keuntz-Bas, Louis Latour, Louis Jadot, Meerlust and Vergelegen – to name a few – you need not fear or shun them.

The steadily burning light in UK town centres – although not often on the high street itself – is Majestic Wine who maintain a consistently high standard while experimenting with the gaps on the street by doing things like reducing their minimum purchase from 12 to six bottles. The range is large and includes many excellent producers – too many to mention here – but some top-class cheapies (under £6 on special offer until Monday 30 Jan) are, among the whites, Wither Hills, Esperanza, and Neblina (all Sauvignon Blanc), Luis Felipe Edwards Chardonnay, Undurraga Brut Rosé and, among the reds, Rioja Reserva Viña Eguia, Ch. Mont Milan Corbières, Flichman “Gestos” Malbec, Neblina Merlot and Luis Felipe Edwards Cabernet Sauvignon. If there is a quibble, it’s a tendency towards discounting that risks being not a million miles from the sort of thing that so confuses consumers in the supermarkets. Remember what happened to First Quench ..?

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